Tuesday, 11 June 2013

Magehunter playthrough

Written by Paul Mason, artwork by Russ Nicholson

Yes, I'm still around.

You may have thought that I'd got lost somewhere in Leeds, but no, I've survived. I'm now back in Hampshire, and have been spending the last few weeks ensuring suitable new employment. Now that this is all set and resolved, I can try to piece together the ruins of what was once a weekly schedule.

So to start with, I want to thank Stuart Lloyd for this book. It's the last of the books that are relatively tricky to find, so now I'm on relatively easy streets in terms of finding the last few remaining Fighting Fantasy gamebooks.

In this book, you are a mage hunter. It is your task to hunt town wizards, using only your skill and guile. You then, upon finding someone suspected of witchcraft, extract a confession from them by means of brutal torture. Upon confession, the victim is then tied to a pyre in the town square and burned alive, screaming in agony. Y'know, I think I might know why this book wasn't republished. There's really just no way to make the gruesome torture and murder that hundreds of people suffered under the inquisition sound like a fun adventure for kids.

We start off this particularly jovial adventure at a funeral. No, really. You've arrived back in town, with a freshly-captured wizard in tow, to find that the Margrave of the realm has died and everyone is in mourning. The misery is disrupted when there's a loud crash which shakes the castle.

Rushing to the dungeons, we find that the wizard has fled with the Margrave's heir. The game tries to portray this as a kidnapping, but even at this stage, it's clear that the Margrave's heir has helped the wizard escape for some reason. We may find the reasons behind this later, if we survive that long.

Without any real direction, we head to the wizard's lair, where we had recently captured him. Recovering and studying his spellbook, we uncover the spell that he used to escape the dungeon. I attempt to cast the spell myself, but it only causes a large heft of green smoke to fill the area, alerting the guards. I'm dragged before the lord of the realm who says "You tried to cast a spell, so you're a wizard. We'll burn you at dawn."

So, let's retry this adventure from the start, shall we?

This time, upon running into the dungeons to prevent the wizard from making his escape, I jump right after him into the big ol' portal thing, and wind up standing on a mountainside. We see the Margrave's heir running off into the distance, and the wizard laying on the ground unconscious. It's pretty clear that the wizard has done an ol' mind-swap with the Margrave's heir, but just to be on the safe side, I lop the head off the wizard's body and burn the remains. Fun, for kids.

The book then makes it very clear that I've got a completely different set of clothes, belongings and so on than before I stepped through the portal, leading me to assume that I'm actually in the Margrave's heir's body. Something tells me that it's going to be one of those days... It then tells me that if my ankle hurts, I should turn to a specific page. That's always one of those instructions that makes me wonder if my ankle should be hurting or not, and why it might be, and why it's even asking...

After a while, I manage to arrive in an arabian-styled town. I stumble into the tavern (because there is always a tavern, no matter where you are) and meet a rather friendly chap who agrees to teach me the local language. In gratitude for this and for a few day's bed and food, I offer him a ruby ring that I found up on the mountainside. Only, it seems that the ring contained a giant evil demon, who offers me a wish. I say an evil demon, because when I wish that it'd take me to the wizard, it takes me back to the mountainside (of course...) and attacks me. And this bugger is a tough fight.

So, once it's dead and I've trudged all the way back to the village again, I pick up a few supplies at the market and then head out of town, using my holy symbol to track down the wizard. As I sleep overnight out in the desert, I am awakened by...

Well, I don't rightly know what woke me up. I wake up in a tent owned by a strange man who tells me that he wants to help me stop the wizard. For some reason, the Margrave's heir is there too, and the stranger helps put him back in his body or something, I think, the book is not at all clear on this point. For a few paragraphs, the book reads as if it was spliced together at random from different parts of the story with no cohesive structure or anything, and then all three of the characters pile onto a magic carpet to fly off to another city.

At this point in the story, the adventure really feels as if it's falling apart, with most of the 'choices' asking if I've got a ruby ring (we used that earlier) or a scar, or if I have a word written down. In short, instructions, not choices. Upon arriving in the city, I am given a variety of choices on how to track down the wizard, but... eh, I'll explain.

The first choice I make is to try using my holy symbol to track him down. For some reason, this leads me into the local all-male bath house ("But I was only there in order to get directions on how to get away from there!"), where I get beaten up by two bouncers. The next lead takes me to a bazaar, where I track down someone who is entirely different instead. The book then takes pity on me, and just has the wizard walk up to me, give me my pistol, and walk off. So even the book itself realises that there's no useful choices here.

By this point in the adventure I'm just getting a bit tired of being lead around by the nadgers, so I follow the wizard back to his tower. Unsurprisingly, he springs a massive trap and releases a horde of skeleton monsters on me the moment I step in the door. They proceed to trample over me and do whatever skeletons do to their prey. That's a good question actually. I mean they don't eat their victims, so... what do they do?

Anyway, that's about enough Magehunter for today. Despite its somewhat questionable material, it isn't an intrinsically poor Fighting Fantasy book, but it is very limited on the choices that you can make, especially as you get further and further into the adventure. Like I said, it's not poor, but feels limited. Give it a try and maybe it'll suit you better. Or not. I dunno.

8 comments:

  1. So at no time are you fighting a wyvern whilst in the clutches of a giant roc like the cover suggests?

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    1. No. But that doesn't mean anything, it could have happened at any time during the adventure, maybe, possibly, perhaps never.

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  2. That can happen in the book (I've had one attempt at Magehunter end as a result of getting caught up in that fight), but it's by no means guaranteed.

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  3. I stated in my comments on the Fighting Dantasy site that I felt this book was overambitious for a 400-paragraph book, and possibly not play-tested enough, and as a result there were a number of buggy inconsistencies due to too many possibilities of scenarios overlapping. The "true path" itself was fine, but there were a number of bizarre events that ended up lying on the wrong paths that the player shouldn't have encountered given the path they've taken, that can be very confusing.

    In your case though I think it's possible you might have missed some minor things in the text while you were reading. If you'd beheaded the wizard (who, as you've already guessed, was actually the heir lying in the wizard's body)and burnt him, there's no way you should have met the heir again with the good wizard, since he's supposed to be dead (by you hand).

    You ended up on a path that you should never have been on, although I'm not sure if the author screwed up here or you did, since i can't remember the exact text instructions for the path you took. I think (not sure here) if you killed the genie in the ring, it's assumed that you STILL possess the ring, just that you can no longer call on the genie. The ruby ring not only served as a quest item that gave you access to the genie, but plot-device-wise, it was supposed to 'mark' the event that the heir was dead, so that sometimes when the book asked you if you possess or had ever possessed a ruby ring it was indirectly asking "did you mess up and get the heir killed already?" (and yes, getting the heir killed counts as messing up since the 'best' ending has you returning him back to the margrave's castle) I think you were also meant to get a password as replacement for "event marker" should you ever lose the ring altogether during the adventure (which happens on at least one possible path. That's part of the problem with this book, it's too ambitious with too many over-arching paths to keep track of, and it seemed like it hadn't been play-tested enough to get them all sorted out).

    Scars, like the ruby ring, are also used to "mark" events (specifically, where you might have been separated from the heir earlier, in this case).

    As for your wish for the genie to take you to the wizard....I'm quite sure the exact words in the book was for you to wish to be taken to "Reinhardt" (the heir) instead, not the wizard. The genie took your wish literally by taking you to where the heir was killed by you earlier and then tried to kill you(so you can meet the heir down below, I guess).

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    1. The problem is, the ruby ring was given to the man who taught the character the language in my playthrough. So when I was asked if I had the ring, I no longer had it at that point. Definitely an editing issue.

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    2. I went back and reread the book and followed the path you took......I think I found out what went wrong. Did you note down some "shackles keys" on your Equipment list? That's another "event marker" that indicates the heir's death. If you have the shackles keys with you when you met the good wizard, then Reinhardt won't show up, and the story would have made more sense.

      You pick up the keys on paragraph 75, which is right after you disposed of the wizard's body. I think you might have missed that.

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  4. And no, the good wizard didn't put Reinhardt back in his own body. It's assumed at that point that if you'd made it that far, you'd have already figured out that the heir is in the wrong body (which you did). Realistically, for the player, that's not always the case, though, so yeah, that's another flaw in the book's design.

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  5. I must have attempted this book about 100 times. There are so many paths to take and I'm guessing you have to take an exact path to glory. Not one of my favourites...

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